Essayist | Memoirist | Editor

Classes & Events

nonfiction writing workshops, classes, seminars, readings, speaking engagements, signing, and appearances


Nov
10
to Nov 11

Using Outlines to Conceptualize, Write, and Revise Fiction and Nonfiction Stories

If you need to add structure to your writing practice or writing work, need help turning an image into a scene or a scene into a story, can hear a character's voice in your head but can't see them in the context of their story, or just feel jaded by old revision techniques, then this class is for you!

In this course, we will borrow techniques and tools from the visual arts. While outlines might seem constricting or old-fashioned or uninspiring, instructor Cinelle Barnes will lead the class in using outlines, illustration, and other visual tools to add focus, depth, form, structure, and texture to prose. Plus, drawing is just plain fun! Your writing practice can always use more playfulness and joy!

No artistic skill necessary, if you can draw a triangle, a square, a circle, some arrows, spirals, and stick figures, you’ll be able to use these methods.

More info and registration here.

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Aug
1
to Aug 22

4-Week Essay & Memoir Master Workshop @ Sackett Street NYC (Online)

Begins: August 1st, 2022
Instructor: Cinelle Barnes
Location: Online (weekly video meet-up Mon 6-9pm ET)
Fee: $450 

A writing sample is recommended for this class. Please fill out an application.

Through group discussion of student work, plus that of published authors, writers in this workshop will examine the art and craft of creative nonfiction. The focus will be on learning to understand and use a full range of literary techniques in order to tell a truly compelling nonfiction story. Topics such as the use of dialogue, the creation of scene, attention to style and how to craft structure from true events will be discussed. Participants will also spend time talking about the particular responsibilities that come with writing creative nonfiction.

This workshop is open to writers working on memoir, personal essays or in-depth journalism, and students should have writing and writing class experience.

Register here.

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Jun
22
7:00 PM19:00

1-Day Nonfiction Seminar: Writing Family Stories

In this generative seminar, writers will learn strategies for writing nonfiction stories on family: research and reporting, ideation, pacing, narration, organization, voice and tone, and creating an ensemble of "characters" who are specific to our origin stories but recognizable to any reader. We’ll break down family memoirs into the who, where, and when, making the unwieldy task of writing about those we know more manageable.

This two-hour course, perfect for writers with all levels of experience, will include three in-class prompts that build on each other, a PDF handout with text and illustrations, and a short listening exercise and reading from the instructor and author of Monsoon Mansion, a family memoir on love, loss, and survival, described by Susan Tekulve as "a woven family tale that is both delicate and electric."

Class meetings will be held over video chat, using Zoom accessed from your private class page. While you can use Zoom from your browser, we recommend downloading the desktop client so you have access to all platform features.

Check out this page for details about payment plans and discount opportunities.  

COURSE TAKEAWAYS:

- A deeper understanding of how to effectively write about family

- Prompts, exercises, and handouts students can use to generate new essays or longform projects

- 10% discount on all future Catapult classes

COURSE EXPECTATIONS:

Students in this class will not submit their writing for feedback from the instructor or their classmates. The reading assignment is optional. Students should use pen and paper/notebook for the three in-class exercises, and must be able to view a shared slide presentation for the duration of the class. All class exercises can be taken home as templates for future brainstorms, writing, editing, etc.

Register here.

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May
21
10:00 AM10:00

1-Day Prose Seminar: Using Visual Art & Outlines to Add Shape, Texture, & Focus to Your Work @ Catapult

"Drawing helps us to really see." - Flannery O'Connor

If you need to add structure to your writing practice or writing work, need help turning an image into a scene or a scene into a story, can hear a character's voice in your head but can't see them in the context of their story, or just feel jaded by old revision techniques, then this class is for you!

In this course, we will borrow techniques and tools from the visual arts. While outlines might seem constricting or old-fashioned or uninspiring, instructor Cinelle Barnes will lead the class in using outlines, illustration, and other visual tools to add focus, depth, form, structure, and texture to prose. Plus, drawing is just plain fun! Your writing practice can always use more playfulness and joy!

No artistic skill necessary, if you can draw a triangle, a square, a circle, some arrows, spirals, and stick figures, you’ll be able to use these methods.

Inspired by Flannery O'Connor and other writer-artists, this five-hour class will be very visual and generative. You will watch Cinelle do five live, on-camera, from-scratch visual renderings of fiction and nonfiction projects. Each of the five techniques will be focused on birthing new ideas, problem solving and untangling thoughts, and expanding an image or scene into a story:

The five "techniques" are:

- Outlining an inciting incident

- Outlining a fragmented essay or short story using repetition, illustration, and index cards

- Outlining a main character's emotional arc

- Outlining an ensemble's or supporting characters' intersecting arcs

- Outlining scene vs summary using geometric shapes

You will need paper and pens or pencils, or a drawing tablet, to successfully participate in this class. You will get a chance to practice each of the five techniques. Be prepared to revise old work and ideate new ones.

Class meetings will be held over video chat, using Zoom accessed from your private class page. While you can use Zoom from your browser, we recommend downloading the desktop client so you have access to all platform features. The Zoom calls will have automated transcription enabled. Please let us know (classes@catapult.co) if you have any questions or concerns about accessibility.

Register here.


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Mar
10
6:00 PM18:00

Mightier Than the Sword: Writing Into History @ Gibbes Museum

From Frederick Douglass and the abolitionists of the 19th century to James Baldwin, the power of the written word has always played a critical role in the pursuit of social progress. Inspired by the exhibition, Fighters for Freedom: William H. Johnson Picturing Justice, and in partnership with local, woman-owned bookstore Itinerate Literate, we’ll discuss the historical influence of written discourse on social justice movements.

This event with not be held at the Gibbes Museum, but in Park Circle at a city-owned gallery across from Itinerant Literate book store, 4820 Jenkins Avenue.

$20 Members | $30 Non-Members | $10 Students/Faculty with Valid ID

*A 3% credit card fee will apply

with Rev. Dr. Byron Benton of Mt. Moriah Baptist Church and the author Issac Bailey

More info and tickets here. Use code MIGHTY22 for $10 off tickets.

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Jan
24
to Apr 18

12-Week Online Memoir-in-Essays Generator: Write Your Nonfiction Proposal & Sample Chapter

This class is for nonfiction writers interested in personal narrative and less linear, more inquisitive and fragmented book forms. In twelve weeks, Cinelle Barnes will guide the class through ten reading assignments and ten generative prompts that aim to yield ten essay ideas or drafts unified by a most-fitting theme, quest, or form.

And because nonfiction projects are mainly sold to publishers on proposal, this 12-week generator's goal is to equip writers with a working skeleton for a submission-ready proposal.

Cinelle will bookend the course with two sessions on proposals.

This course also celebrates the anti-composite, offering several ways to see, shape, or sculpt personal narrative. In other words, this course is about the multitudes in you—and how they can all come together to tell a singular, textured story.

Cinelle will draw from her experience of writing the proposals for, and submitting, Malaya: Essays on Freedom and her work-in-progress, sharing the dos and don'ts and maybes of nonfiction proposal writing. She will compare and contrast proposal elements with the finished book: giving a sneak peek into the long, often circuitous process of ideation, execution, revision, and completion.

*No class February 14th

Register here.

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Jan
8
10:00 AM10:00

Writing Family Stories @ Pat Conroy Literary Center

In this generative workshop, participants will learn strategies for writing nonfiction stories on family: research and reporting, ideation, pacing, narration, organization, voice and tone, and creating an ensemble of "characters" who are specific to our origin stories but recognizable to any reader. We’ll break down family memoirs into the who, where, and when, making the unwieldy task of writing about those we know more manageable.

Led by memoirist, essayist, and editor Cinelle Barnes, this two-hour class for writers at all levels of experience will include three in-class prompts that build on each other, a PDF handout with text and illustrations, and a short listening exercise and reading from Monsoon Mansion, the instructor's family memoir on love, loss, and survival, described by Susan Tekulve as "a woven family tale that is both delicate and electric."

As a value-added bonus for the first five writers to register, the instructor will also offer to critique their short "elevator pitches" for their family stories-in-progress during the workshop.

This workshop will be held as an online video conference call through Zoom. Details for joining the video call will be provided to all participating writers after registering.

SCHOLARSHIPS: Two need-based scholarships are available. To apply, please complete the form linked here by October 5. Scholarship awardees will be notified by October 12.


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Nov
29
7:00 PM19:00

Writing Family Stories @ Catapult

In this generative seminar, writers will learn strategies for writing nonfiction stories on family: research and reporting, ideation, pacing, narration, organization, voice and tone, and creating an ensemble of "characters" who are specific to our origin stories but recognizable to any reader. We’ll break down family memoirs into the who, where, and when, making the unwieldy task of writing about those we know more manageable.

This two-hour course, perfect for writers with all levels of experience, will include three in-class prompts that build on each other, a PDF handout with text and illustrations, and a short listening exercise and reading from the instructor and author of Monsoon Mansion, a family memoir on love, loss, and survival, described by Susan Tekulve as "a woven family tale that is both delicate and electric."


Register here

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Nov
14
12:00 PM12:00

Seminar: The Multitudes - Setting Scope, Organizing Ideas, and Playing with Form in an Essay Collection

There is great beauty in essay collections. There is also a ton of madness. How do you thread together seemingly disparate pieces and the multitude of techniques, formats, ideas, and even voices within you in one essay collection? Can there be diversity and yet unity in a collection of nonfiction work? In this class, we'll share methods for setting scope, organizing ideas, pitching collections, and playing with form—proposing parameters and practices that activate the energy and freedom that the essay offers.

Only 23 spots open.

Register for this virtual class through Lighthouse Writers Workshop.

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Nov
13
to Nov 14

Visualizing Prose @ Hub City Writers Workshop

Join this one-day workshop to learn writing and revision tools and prompts that will help you ideate fiction and nonfiction projects, activate your ideas into drafts, and sculpt your drafts into their best, pitch-worthy form. With the help of several visual aids, such as handouts and posters, you'll generate new work or revise works-in-progress in a synchronous class with author, editor, and educator Cinelle Barnes. You'll take home said visual aids and walk away with the very same tools Cinelle used in the writing of Monsoon Mansion: A Memoir and Malaya: Essays on Freedom, and the editing of A Measure of Belonging, a Hub City Press book, and many other long and short works.

Register here.

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Nov
3
to Nov 3

Recorded class @ The Resort NYC: The Multitudes - Setting Scope, Organizing Ideas, and Playing with Form in Essay Collections

The Multitudes, originally taught as a live class via Zoom at The Resort. This version of the course can be purchased by any writer for $54 and includes:

  • video recording of the two hour lecture and Q&A

  • PDF of 29 slides the presentation, including helpful tips, writing prompts, and links to further resources

  • handouts/worksheets

  • full transcript of The Multitudes lecture and Q&A

  • bonus material: recording of the one-hour panel discussion with Cinelle, Vivian Lee, and Noah Ballard, originally held as an exclusive Cabana Club event

  • membership in the online Resort network for anyone who is not already a member

Register here.

About the course:

There is great beauty in essay collections. There is also a ton of madness. How do you thread together seemingly disparate pieces and the multitude of techniques, formats, ideas, and even voices within you in one book? Can there be diversity and yet unity in a collection or anthology? Tailoring one of her most popular writing courses for The Resort, author of Malaya: Essays on Freedom and editor of the anthology, A Measure of Belonging: 21 Writers of Color on the New American South, Cinelle Barnes will share Resort-exclusive tools and take-home visual aids for setting scope, organizing ideas, pitching collections or anthologies, and playing with form—proposing practices that activate the energy and freedom that the modern essay offers. Exclusive to The Resort, Cinelle will share segments from her essay collection and anthology proposals, showing us developmental details that have led to successful pitches and secured spots in publisher catalogues. This course is for writers of all levels, whether in the beginning stages of collecting short-form works or at the developmental revision phase of their manuscripts.

Take this class at your own pace through a recording of the lecture and Q&A!

Register here.

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Boundaries & Strategies for Writing Difficult Stories @ Writers League of Texas
Oct
6
7:30 PM19:30

Boundaries & Strategies for Writing Difficult Stories @ Writers League of Texas

How do we begin writing personal stories of family, trauma, or loss?

In this three-hour course, memoirist, essayist and editor, Cinelle Barnes, teaches writing difficult stories that involve trauma or loss. We’ll explore questions like: How do we set scope? How do we organize memories? Which stories are ours to tell? Why write them at all? Broken down into the who, what, when, where, why, and how of writing trauma or loss, we’ll look at boundaries to set— on the page and in our lives—and strategies that aid in the artful telling of our delicate stories. Through a lecture + in-class and take-home writing exercises, you’ll gain confidence–and peace–about writing and reclaiming your story.

TAKE THIS CLASS IF

  • If you’ve survived a childhood, a catastrophe, or a loss, and need encouragement and guidance on how to care for yourself and your craft, this class is for you.

  • Getting better at writing personal narratives matters to you as much as getting better (after loss, trauma, or catastrophe) does.

  • You need generative prompts that ease the process of writing personal, perhaps painful, stories.

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Sep
13
to Oct 6

Seminar: 4-Week Online Course on Place & Identity

Places have pulse and memory. Places breathe and shift. More than just a site or setting, a place often takes the shape of a character: taking significant, often shifting, space in our knowledge of self. Whether writing about a house, a street, a city, a region, or a country, a sense of place is central to constructing (and deconstructing) a sense of identity in personal narrative.

This Catapult course is intended for nonfiction writers of all levels seeking to begin or complete essays or memoirs that explore their relationship with a physical environment. Studying Joan Didion's California, Alexander Chee's New York, Kiese Laymon's Mississippi, Joy Priest's Kentucky, Latria Graham's South Carolina, Natalia Sylvester's map of borders and bodies, Diana Cejas' tobacco farm, Toni Jensen's classroom, and the instructor's now-notorious home, we will draw from various forms, techniques, angles, and approaches to writing about place. Each week, we will look at select passages from two to three writers, take prompts from their oeuvre to generate new work or revise projects in progress, and learn to look at place as an extension of our persons.

Catapult class meetings will be held over video chat, using Zoom accessed from your private class page. While you can use Zoom from your browser, we recommend downloading the desktop client so you have access to all platform features.

COURSE TAKEAWAYS:

- Practical writing techniques for place-based memoir and essay

- Generative prompts (of various forms) from four weekly sessions that build your confidence in constructing a strong sense of place

- Personalized feedback from the author of a memoir and essay collection, and the editor of several books on place(s), including an essay anthology on the American South

- Identify markets and opportunities for nonfiction writers

- 10% discount on all future Catapult classes

COURSE EXPECTATIONS:

Students will read two to three excerpts or essays before every weekly session. At each Zoom session, the instructor will break down forms, techniques, angles, and approaches to place, and will field questions from the group. After each session, writing prompts will be assigned. After the third session, students may submit one work (up to 2,000 words) generated during the course to submit to the instructor. Work will be returned with personalized feedback on the fourth session, including ideas on where the particular piece may find its, well, place... and how the writer can help lead it home.

Only 12 spots open.

Register for this four-week seminar here.

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Sep
10
7:30 PM19:30

1-Day Online Nonfiction Seminar: Writing Family Stories @ Catapult

In this generative seminar, writers will learn strategies for writing nonfiction stories on family: research and reporting, ideation, pacing, narration, organization, voice and tone, and creating an ensemble of "characters" who are specific to our origin stories but recognizable to any reader. We’ll break down family memoirs into the who, where, and when, making the unwieldy task of writing about those we know more manageable. 

This two-hour course, perfect for writers with all levels of experience, will include three in-class prompts that build on each other, a PDF handout with text and illustrations, and a short listening exercise and reading from the instructor and author of Monsoon Mansion, a family memoir on love, loss, and survival, described by Susan Tekulve as "a woven family tale that is both delicate and electric."

Register at Catapult.co

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Aug
8
7:00 PM19:00

Summer Solstice | Sunset Yoga & Narrative Workshop w/ Amirah Kinlaw & Cinelle Barnes

Amirah Kinlaw and Cinelle Barnes invite BIPOC women for a sunset yoga and narrative practice on August 8 (new date) — summer solstice. The event will take place at Sullivan’s Island, Station 29, 7:00 to 8:30 p.m.

About Amirah’s yoga practice:

My name is Amirah Kinlaw (she/her) and I am pleased to be your yoga instructor. I am a warm, spirited Black woman. I live in Charleston, SC, on Kusso land, with my partner of 11 years and our two energetic teens, ages 16 and 14. I initially found yoga to be a relaxing stretch exercise to do post-workout, but over time, my connection with the practice became deeper. My yoga now is designed to encompass all parts of me. It is an embodied experience. I have been practicing for over four years and recently became a yoga instructor in April 2020. I love connecting with women of color because we actually see one another as whole beings. Each of us holds our own unique story which portrays our power, our resilience, our passion, and our own frequency. When our frequencies connect, our vibration is higher. My intention for the Summer Solstice Workshop for BIPOC women will be to restore and refresh our bodies, minds, and souls, so that we can show up for ourselves and for each other.

About Cinelle’s narrative workshop:

Cinelle is a Philippine-born and -raised writer, editor, and educator. She is the author of two nonfiction books and the editor of a New York Times New & Noteworthy anthology of essays written by BIPOC writers. Drawing from narrative therapy philosophy, memoir, and breath work, Cinelle will guide the group in a regenerative, joyful writing exercise that women of color can incorporate into their daily rituals, writing craft, or yoga practices. This workshop is an evolution of Poses & Prose, Cinelle’s sold-out series with Charleston Community Yoga.

Rsvp here. Suggested offering of $25*. Scholarships available.

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Jun
14
6:30 PM18:30

Author Talk at Lexington County Library

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Join Lexington County Library for an evening book discussion with memoirist, essayist, and editor Cinelle Barnes.

From the Facebook event listing:
Armed with an MFA in Creative Nonfiction from Converse College, Cinelle Barnes is an essayist, memoirist and educator from Manila, Philippines. With her searing prose, she writes of the experience of being a person of color in the Deep South, Asian-American diaspora, and what our pasts can tell us about ourselves. Her memoir Monsoon Mansion details her coming-of-age in Mansion Royale before a fateful monsoon changes everything. Malaya and A Measure of Belonging feature essays from Barnes and other writers of color on the New American South. Her heartfelt, lyrical style makes Barnes a must-read for anyone looking to explore the depths of the Southern person of color experience.

Register here.

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Jun
9
to Jun 12

Lighthouse Literary Festival 2021 (Virtual)

Cinelle will be teaching two of her most popular courses through Lighthouse this summer: Boundaries and Strategies for Writing Stories of Trauma or Loss (June 9), and The Multitudes: Setting Scope, Organizing Ideas, and Playing with Form in Essay Collections (June 12). Register through lighthousewriters.org.

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Jun
6
3:00 PM15:00

Mapping Home & Family Stories | Mountain Heritage Literary Festival @ Lincoln Memorial University

Mapping Home (Two sessions)

Through this hands-on exercise, we will practice visualization, activate research, and utilize studio art techniques and theory to generate memoir story ideas that have a strong sense of place, identity, and attitude. Speaking from her experience of writing a lyric memoir about her childhood home, Cinelle Barnes will guide the group in crafting place-based personal narrative.

Writing Family Stories (One session)

To whom does a family narrative belong? How do we write ancestral or familial narratives if there are gaps in memory and documented history? Does responsibility to self and to history outweigh responsibility to family? These are just some of the questions we will discuss and address through ideation, writing, and editing exercises.

Nonfiction panel to follow

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Apr
24
6:30 PM18:30

In Conversation with Latria Graham | Buxton Books & Up to Us

Join Latria Graham and Cinelle Barnes on Tuesday, April 27, 6:30 pm for a discussion on Southern literature, BIPOC voices, and the local book scene in South Carolina. Hosted by Buxton Books and Up to Us book club. Tickets available through Eventbrite. Click on image below to save your virtual seat. Signed copies of A Measure of Belonging available through Buxton Books.

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